Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Gabriel Metsu 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
97644		A Girl Receiving a Letter	circa 1658(1658) Medium oil on panel Dimensions 10.125 x 9.625 in cyf
82680		A Hunter Getting Dressed after Bathing	oil on panel by Gabriel Metsu, c. 1654-1656 Date c. 1654-1656 cyf
28962		A Lady and a Cavalier	mk65 Oil on panel 22 13/16x16 11/16in Uffizi
40496		A Man and a Woman Seated by a Virginal	mk156 c.1665 Oil on canvas 76x68cm
43159		A Woman Seated at a Table and a Man Tuning a Violin	mk170 circa 1658 oil on canvas 43x37.5cm
43158		A Young Woman Seated Drawing	mk170 1655-1660 OIl on oak 36.3x30.7cm
87212		Apfelschalerin	Date c. 1660-1770 Medium Oil on canvas Dimensions 28 x 26 cm cjr
91976		Apfelschalerin	1660-1770 Medium oil on canvas Dimensions 28 X 26 cm cyf
45598		Apple scarf end woman	mk186 around 1660 Paris muse you Louvre
2875		Breakfast	1660 The Hermitage, St.Petersburg
28728		Dead Cock	mk61 Oil on panel 57x40cm
86949		Man and Woman Sitting at the Virginal	between 1658(1658) and 1660(1660) Medium Oil on oak cyf
39685		Noli me tangere	mk150 1667 63.7x51cm
76411		Old Woman Meditating	Medium Oil on panel Dimensions 27.3 ?? 23.2 cm (10.7 ?? 9.1 in) cyf
74877		Old Woman Meditating.	ca. 1660-1662 (1660-1667) Oil on panel 27.3 X 23.2 cm (10.75 X 9.13 in) cjr
95462		Portrait of Jan Jacobsz Hinlopen and His Family	circa 1675(1675) Medium oil on canvas cyf
85041		Portrait of the Artist with His Wife Isabella de Wolff in a Tavern	Date 1661(1661) Medium Oil on oak panel Dimensions Height: 36 cm (14.2 in). Width: 31 cm (12.2 in). cjr
88807		Portrait of the Artist with His Wife Isabella de Wolff in a Tavern	1661(1661) Medium Oil on oak panel cyf
26846		Self-Portrait with his Wife Isabella de Wolff in an Inn	mk52 1661 Oil on wood 35.5x30.5cm Gemaldegalerie,Dresden
86929		Soldier Paying a Visit to a Young Lady	between 1660(1660) and 1661(1661) Medium Oil on wood cyf
86933		The Apothecary	1661(1661) Medium Oil on wood cyf
79074		The Apothecary or The Chemist.	c. 1651-1667 Oil on canvas 27 x 23,5 cm cjr
82158		The Apothecary or The Chemist.	1651-1667 Medium Oil on canvas Dimensions 27 x 23,5 cm cyf
2877		The Bean Feast	Pinakothek, Munich
45514		The bean festival	mk186 1650-55 Munchen, old Pinakothek
86049		The Breakfast	1660(1660) Medium Oil on wood cyf
20612		The Busy Cook (nk05)	Wood 11 x 10 1/4''(28 x 26 cm)Seized in the Revolution INV
24284		The Cello Player (mk25)	c 1665
97797		The Cook	circa 1657-1667 Medium oil on canvas Dimensions 40 x 33 cm cyf
89184		The Dismissal of Hagar	Oil on canvas, 112 x 86 cm, c. 1653-1654 cjr
86543		The family of Jan Jacobsz Hinlopen just before the youngest and his wife Leonora Huydecoper van Maarsseveen died	1663(1663) Medium Oil on canvas cyf
83083		The Hunter and a Woman	Date second half of 17th century Medium Oil on wood Dimensions Height: 58 cm (22.8 in). Width: 43 cm (16.9 in). cjr
87241		The Hunter and a Woman	second half of 17th century Medium Oil on wood cyf
87140		The Hunter s Gift	Date between 1658(1658) and 1660(1660) Medium Oil on canvas Dimensions Height: 51 cm (20.1 in). Width: 48 cm (18.9 in). cjr
33736		The King Drinks	mk86 c.1650-1655 OIl on canva 80.9x98.9cm Munich,Bayerische Staatsgemaldesammlungen,Alte Pinakothek
21809		The King Drinks (mk08)	c.1650-1655 Oil on canvas. 80.9x97.9cm Munich,Bayerische Staatsgemaldesammlungen,Alte Pinakothek
20611		The Lazy Tippler (mk05)	Wood 11 x 10 1/2''(28 x 27 cm)Seized in the Revolution INV
84577		The Letter-Writer Surprised	Date ca. 1662(1662) Medium Oil on wood Dimensions Height: 45 cm (17.7 in). Width: 39 cm (15.4 in). cjr
88440		The Letter-Writer Surprised	1662(1662) Medium Oil on wood cyf
2876		The Music Lesson	c1658 National Gallery, London
23380		The Music Lesson (nn03)	c 1658 OIl on canvas 38.4 x 32.2 15 1/8 x 12 3/4 in National Gallery London
82667		The Old Drinker	Oil on panel Dimensions 22 x 19.5 cm (8.7 x 7.7 in) cyf
87011		The Poultry Seller	1662(1662) Medium Oil on oak panel cyf
67769		The Poultry Woman	1662 Oil on panel 61 x 45 cm
86930		The Sick Girl	between 1658(1658) and 1659(1659) Medium Oil on oak cyf
92000		The Sick Girl	oil on wood (oak) - 30 x 26 cm - 1658-1659 (ca.) - Gemäldegalerie, Berlin cyf
86931		The Tippler	between 1655(1655) and 1657(1657) Medium Oil on wood cyf
41043		Treating to Oysters	mk159 c.1660 Oil on panel 55.5x42cm
86928		Virginal Player	1661(1661) Medium Oil on wood cyf
31357		Visit of the Physician	nn07 1660-67 Oil on canvas, 61 x 48 cm The Hermitage, St. Petersburg
81245		Washerwoman	Oil on panel Dimensions 23.9 x 21 cm (9.4 x 8.3 in) cyf
92857		Woman feeding a cat	c. 1662-1665 (1650-1667) Medium oil on panel Dimensions 33.5 X 27 cm (13.2 X 10.6 in) cjr
86932		Woman Peeling an Apple	between 1655(1655) and 1657(1657) Medium Oil on wood cyf
82083		Woman Reading a Letter	oil on wood 52.5 x 40.2 cm Date ca 1664 - 1666 cyf
89798		Woman Tuning a Mandolin	between 1660(1660) and 1665(1665) Medium Oil on wood cyf

Gabriel Metsu

1629-1667 Dutch Gabriel Metsu Galleries One of his earliest pictures is the "Lazarus" at the Strassburg Museum, painted under the influence of Jan Steen. In 1653 under the influence of Rembrandt he painted "Woman taken in Adultery," a large picture which is now in the Louvre. To the same period belong the "Departure of Hagar," formerly in the Thore collection, and the "Widow's Mite" at the Schwerin Gallery. But he probably observed that sacred art was ill suited to his temper, or he found the field too strongly occupied, and turned to other subjects for which he was better fitted. That at one time he was deeply impressed by the vivacity and bold technique of Frans Hals can be gathered from Lord Lonsdale's picture of "Women at a Fishmonger's Shop." What Metsu undertook and carried out from the first with surprising success was the low life of the market and tavern, contrasted, with wonderful versatility, by incidents of high life and the drawing-room. In no single instance do the artistic lessons of Rembrandt appear to have been lost upon him. The same principles of light and shade which had marked his schoolwork in the "Woman taken in Adultery" were applied to subjects of quite a different kind. A group in a drawing-room, a series of groups in the market-place, or a single figure in the gloom of a tavern or parlour, was treated with the utmost felicity by fit concentration and gradation of light, a warm flush of tone pervading every part, and, with that, the study of texture in stuffs was carried as far as it had been by Ter Borch or Gerard Dou, if not with the finish or the brio of De Hooch. One of the best pictures of Metsu's manhood is the "Market-place of Amsterdam," at the Louvre, respecting which it is difficult to distribute praise in fair proportions, so excellent are the various parts, the characteristic movement and action of the dramatis personae, the selection of faces, the expression and the gesture, and the texture of the things depicted. Equally fine, though earlier, are the "Sportsman" (dated 1661) and the "Tavern" (also 1661) at the Hague and Dresden Museums, and the "Game-Dealer's Shop," also at Dresden, with the painter's signature and 1662. Gabriel Metsu, Man Writing a Letter (1662-1665), Oil on canvas, National Gallery of Ireland, DublinAmong the five examples of the painter in the Wallace Collection, are "The Tabby Cat," and "The Sleeping Sportsman," which cost Lord Hertford £ 3000, is an admirable example technically considered. Among his finest representations of home life are the "Repast" at the Hermitage in St Petersburg; the "Mother nursing her Sick Child" in the Rijksmuseum in Amsterdam; the "Amateur Musicians" at the Hague Gallery; the "Duet" and the "Music Lesson" at the National Gallery, London, and many more examples at nearly all the leading European galleries. Five of his painting are in Dresden, collected by August the Strong.

All the Alma Tadema's Oil Paintings

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